Cambridge IELTS 12, Test 8, Listening Part 3

    Film adaptations of Shakespeare's plays: listening answers and explanations

    Katie talks to her classmate Joe about a presentation she's giving in film studies on adaptations of Shakespeare. She runs through the stages of her talk and what she still has to prepare, then they discuss six films she plans to comment on.

    Questions 21-30 · 10 marks · 2 question blocks

    How the answers come

    The table (21-24) follows Katie's plan stage by stage, each starting with 'I thought I'd start', 'next' or 'Next I want to'. 'And finally I want to talk about a few adaptations' starts the matching, and the six films come in the order of the list, from Ran to Looking for Richard.

    Answer key and self-check

    Type what you wrote and hit mark. Hide the key first if you haven't done the part yet. Every question number jumps to its explanation.

    QYour answerAnswer
    Questions 21-24 · Table completion (ONE WORD ONLY)
    21
    classification
    22
    worst
    23
    slides
    24
    issues
    Questions 25-30 · Matching (A-G)
    25
    F
    26
    A
    27
    E
    28
    C
    29
    G
    30
    B
    Table completion (ONE WORD ONLY)

    Questions 21-24

    How to attack this block: Each stage of the presentation gets one gap. Listen for what Katie will actually do, because Joe changes one of her plans. One word only, so pick the key noun or adjective.

    Question 21

    Answer: classificationThe first stage, 'So I thought I'd start with Giannetti'

    What does Giannetti's book contain?

    he came up with a straightforward classification of film adaptations based on how faithful they are to the original plays and novels

    Question says → You hear

    • book containing a ... of adaptationsa straightforward classification of film adaptations

    Why: Giannetti classified adaptations by how faithful they are. The noun is classification.

    The trap: 'Faithful' describes how the classification works, not what it is. And 'notes' is the work still to be done, already in the table.

    Question 22

    Answer: worstWhen Katie says she's already made notes on Giannetti

    Which adaptations will the class be asked to suggest?

    I thought that next I'd ask the class to come up with the worst examples of Shakespeare adaptations that they've seen, and to say why. That should be more fun than having their favourite versions.

    Question says → You hear

    • Ask class to suggest theask the class to come up with the worst examples

    Why: She'll ask for the worst adaptations they've seen, because it'll be more fun. The gap needs an adjective: worst.

    The trap: Favourite is the alternative she rejects.

    Question 23

    Answer: slidesAfter Joe questions whether she'll have time for film clips

    What does Katie need to prepare for Malchow's ideas?

    Perhaps you're right. OK, well, I'd better do some slides instead, saying how various films relate to what she says.

    Question says → You hear

    • Prepare someI'd better do some slides instead

    Why: 'Instead' tells you the plan has changed from clips to slides. Plural: slides.

    The trap: Film clips were her first plan, but Joe talks her out of them.

    Question 24

    Answer: issuesWhen Katie says 'Next I want to say something about how plays may be chosen'

    What will Katie relate adaptations to?

    how plays may be chosen for adaptation because, they're concerned with issues of the time when the film is made

    Question says → You hear

    • relationship between adaptations and ... at the time of making the filmconcerned with issues of the time when the film is made

    Why: Plays are chosen because they deal with issues of the time when the film is made. The noun is issues.

    The trap: Patriotism and the role of governments are Joe's examples of these issues. The table needs the general word.

    Matching (A-G)

    Questions 25-30

    How to attack this block: For each film, listen for the one feature that defines the adaptation: where or when it's set, how faithful it is, what it looks like. Several options are near-misses (a different country versus a different period), so check the detail. One letter is not used.

    Question 25

    Answer: FWhen Katie asks Joe if he knows the Japanese film Ran

    What do the speakers say about Ran?

    using the same situation and story, but moving it to 16th century Japan instead of 16th century Britain

    Question says → You hear

    • sets the original in a different countrymoving it to 16th century Japan instead of 16th century Britain

    Why: The story moves from Britain to Japan in the same century. A different country, F.

    The trap: E: it moves place, not time. Both versions are in the 16th century.

    Question 26

    Answer: AWhen Joe brings up the 1993 film

    What do the speakers say about Much Ado About Nothing?

    And I think filming it in Italy, where the play is set … what life was like at the time of the play.

    Question says → You hear

    • clearly shows the historical periodwhat life was like at the time of the play

    Why: Filming in Italy shows what life was like at the time of the play: the historical period. A.

    The trap: F: Italy is where the play is set, so the country isn't different.

    Question 27

    Answer: EKatie's next film, the 1996 version

    What do the speakers say about Romeo & Juliet?

    Er, next, I thought Romeo & Juliet, the 1996 film, which moves the action into the present day.

    Question says → You hear

    • presents the play in a different periodmoves the action into the present day

    Why: Moving the action to the present day puts it in a different period from the original. E.

    The trap: The original English is kept, which sounds strange, but that's about language, not one of the options.

    Question 28

    Answer: CWhen Katie picks 'a real Hollywood film'

    What do the speakers say about Hamlet?

    it's more like a typical action hero movie - there are loads of special effects, but no unifying interpretation of the play

    Question says → You hear

    • too similar to another kind of filmmore like a typical action hero movie

    Why: The adaptation is like a typical action hero movie, so it's too similar to another kind of film. C.

    The trap: B: it includes every line of the text, so it doesn't contain only parts. D: it's aimed at a mass audience, but nothing says it was unpopular.

    Question 29

    Answer: GWhen Katie calls it 'really innovative'

    What do the speakers say about Prospero's Books?

    Didn't it include dance and singing and animation well as live actors? … Yes, it did.

    Question says → You hear

    • incorporates a variety of art formsdance and singing and animation well as live actors

    Why: Dance, singing, animation and live acting are a variety of art forms, and Katie confirms it. G.

    The trap: 'Innovative from a stylistic point of view' might suggest a different period or setting, but it's about the mix of art forms.

    Question 30

    Answer: BThe last film, where Katie will finish

    What do the speakers say about Looking for Richard?

    It's more a way of looking into how people nowadays connect with the playwright - the play is really just the starting point.

    Question says → You hear

    • contains only parts of the playthe play is really just the starting point

    Why: Joe says it mixes a few scenes from Richard III with other material, and Katie adds that the play is just the starting point. So it contains only parts of the play, B.

    The trap: E: 'people nowadays' sounds like a modern setting, but it's about how people today connect with Shakespeare, not a play moved to the present.

    The questions most people get wrong

    Question 25

    Ran moves King Lear to Japan but keeps the 16th century, so the period is the same and the country changes: F, not E.

    Question 28

    Hamlet includes every line of the play, so B is out. The problem is that it's like a typical action hero movie: too similar to another kind of film, C.

    Question 23

    Katie plans to show film clips, but Joe doubts she'll have time or find them all. She switches to slides, so clips is the wrong answer.

    Words from this recording worth keeping

    adaptations(Presentation topic)
    films or plays made from a book or play
    classification(Giannetti)
    a way of dividing things into groups
    faithful(Giannetti)
    keeping closely to the original
    patriotism(Issues of the time)
    love of and loyalty to your country
    loose adaptation(Ran)
    a version that changes a lot of the original
    feuding(Romeo & Juliet)
    in a long and bitter quarrel
    bizarre(Romeo & Juliet)
    very strange
    innovative(Prospero's Books)
    new and original

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