Cambridge IELTS 6, Test 1, Listening Part 2

    Rivenden City Theatre: listening answers and explanations

    On local radio, Lynne Rawley, the theatre's public relations officer, describes what has changed after a three-year redevelopment. She then gives the details of the first play after the reopening: dates, start time, which tickets are left and the price.

    Questions 11-20 · 10 marks · 2 question blocks

    How the answers come

    Lynne moves through the building in the same order as the list: front of house (box office, shop), the auditorium (seats, wheelchair spaces, lifts), then backstage (dressing rooms). The interviewer's question about the first play is your signal to switch to the table for questions 17-20.

    Answer key and self-check

    Type what you wrote and hit mark. Hide the key first if you haven't done the part yet. Every question number jumps to its explanation.

    QYour answerAnswer
    Questions 11-16 · Matching (A-G)
    11
    B
    12
    G
    13
    C
    14
    A
    15
    E
    16
    D
    Questions 17-20 · Table completion (NO MORE THAN TWO WORDS AND/OR A NUMBER)
    17
    19thAlso accepted: October 19th / October the 19th / 19 / 19 October
    18
    7Also accepted: seven
    19
    Monday, ThursdayAlso accepted: Monday and Thursday / Monday Thursday / Mon and Thu
    20
    18
    Matching (A-G)

    Questions 11-16

    How to attack this block: Seven changes for six parts, so one letter is never used. Listen for the paraphrase rather than the box word: 'twice as many' for doubled, 'fewer' for reduced, 'isn't yet complete' for temporarily closed. Lynne often mentions a second change in passing, so match the main change to each part.

    Question 11

    Answer: BRight after the new green and gold foyer

    What has changed about the box office?

    Then the box office has been … instead of through the … which means it can be open longer hours, and has more space, too.

    Question says → You hear

    • given separate entranceinstead of through the

    Why: Lynne explains that people no longer reach the box office through the foyer, and that this lets it stay open longer. That is a separate entrance, so B.

    The trap: 'Has more space, too' sounds like D, increased in size. It's an extra benefit, said with 'too'. Increased in size belongs to the dressing rooms.

    Question 12

    Answer: GStraight after the box office, still in the foyer

    What has happened to the shop?

    is the one part of the redevelopment which isn't yet complete. The plan is to find new premises for it near the theatre

    Question says → You hear

    • temporarily closedisn't yet complete … find new premises

    Why: The shop has moved out of the foyer and has nowhere to go yet. They hope to reopen it in the next few months, so for now it's temporarily closed: G.

    The trap: 'New premises' can sound like E, replaced. But nothing has replaced the shop yet. It's waiting for a new home.

    Question 13

    Answer: CWhen the interviewer asks about the auditorium

    What has happened to the ordinary seats?

    we've increased the leg-room between the rows. This means that there are now fewer

    Question says → You hear

    • reduced in numberthere are now fewer

    Why: More leg-room means fewer seats fit in. 'Fewer' is the paraphrase of reduced in number, so C.

    The trap: 'Increased' is the first thing you hear, but it's the leg-room that grew, not the seats.

    Question 14

    Answer: ARight after the air conditioning

    What has happened to the seats for wheelchair users?

    We already had a few seats which were suitable for wheelchair users, and now there are twice as many

    Question says → You hear

    • doubled in numbernow there are twice as many

    Why: 'Twice as many' means the number has doubled: A.

    The trap: These seats come straight after the ordinary seats, which went down. Don't carry 'reduced' over to the wrong item.

    Question 15

    Answer: EThe last point about the audience, before the interviewer asks about performers

    What has happened to the lifts?

    Something else that will benefit audiences is … and slow … much more efficient

    Question says → You hear

    • replacedand slow … much more efficient

    Why: Lynne says the old, slow lifts have gone and new, much more efficient ones are in. Old ones out, new ones in is replaced: E.

    The trap: 'More efficient' might suggest an improvement rather than new lifts, but she says the old ones have gone, so they were replaced, not upgraded.

    Question 16

    Answer: DWhen the interviewer asks about the performers

    What has happened to the dressing rooms?

    we've made a number of improvements backstage. The small … airy rooms, so they're much more comfortable now.

    Question says → You hear

    • increased in sizeThe small … airy rooms

    Why: The small dressing rooms have been turned into bigger, airy rooms. Small becoming large is increased in size: D.

    The trap: F, strengthened, is the letter nobody needs. The sound and lighting systems are new, but they aren't in the list of parts.

    Table completion (NO MORE THAN TWO WORDS AND/OR A NUMBER)

    Questions 17-20

    How to attack this block: Every answer is a date, a time, a day or a price, and each one comes with a rival figure: the old start time, the finishing time, the sold-out days, the old price range. Wait for the current detail.

    Question 17

    Answer: 19thWhen Lynne names the first play

    Also accepted: October 19th / October the 19th / 19 / 19 October

    On what date does the play's run end?

    That starts on October the 13th and runs till the 19th

    Question says → You hear

    • October 13th toruns till the 19th

    Why: 'Runs till' gives the last date. The start date is printed, so the gap is 19th. 19 or October 19th are also accepted.

    Question 18

    Answer: 7Right after the dates, when she talks about curtain-up

    Also accepted: seven

    What time does the performance start now?

    We used to start all our performances at 7.30 … so instead we're beginning at 7

    Question says → You hear

    • Starting timeinstead we're beginning at 7

    Why: The old start was 7.30, which made it hard to catch a bus home, so they've moved it to 7. 'Instead' signals the new time.

    The trap: 7.30 is the old start time and 9.45 is when the play finishes. Both are said clearly, but neither is the new start.

    Question 19

    Answer: Monday, ThursdayWhen she says tickets are selling fast

    Also accepted: Monday and Thursday / Monday Thursday / Mon and Thu

    Which performances still have tickets?

    The Friday and Saturday performances sold out almost immediately and, in fact, now there are only tickets for Monday and Thursday.

    Question says → You hear

    • Tickets availablenow there are only tickets for Monday and Thursday

    Why: 'Only tickets for' gives the days still available. You need both days for the mark, and two words fit the limit.

    The trap: Friday and Saturday come first and stick in the memory, but they are sold out.

    Question 20

    Answer: 18When the interviewer asks 'How much are they?'

    How much do tickets cost?

    Ticket prices used to range from £6 to £30 but now they're all £18.

    Question says → You hear

    • Pricenow they're all £18

    Why: The new price structure has one price for every seat: £18. The pound sign is printed, so write 18.

    The trap: £6 and £30 are the old lowest and highest prices. 'Used to' tells you they're out of date.

    The questions most people get wrong

    Question 11

    Lynne says the box office now has more space, which pulls people towards 'increased in size'. The real change is that it's no longer reached through the foyer: it has its own entrance.

    Question 18

    Three times in a row: the old start of 7.30, the new start of 7, and the finish at 9.45. The table wants the new starting time, 7.

    Question 13

    'Increased' is the first verb you hear, but it's the leg-room that went up. The seats themselves went down: there are now fewer of them.

    Words from this recording worth keeping

    redevelopment(Introduction)
    major rebuilding and improvement work
    foyer(Front of house)
    the entrance hall of a theatre
    premises(The shop)
    a building or space used by a business
    leg-room(The auditorium)
    space for your legs in front of a seat
    stuffy(The auditorium)
    warm and without fresh air
    state-of-the-art(Backstage)
    the most modern available
    sold out(Tickets)
    with no tickets left
    price structure(Tickets)
    the way prices are organised

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