Cambridge IELTS 21, Test 1, Reading Passage 1

    The Davies Sisters: reading answers and analysis

    Two Welsh sisters inherit a fortune built on mining and shipping and spend it on art, starting with safe choices and then buying French Impressionists at a time when almost nobody in Britain did. The war changes them, one of them stops buying, and the whole collection ends up in the National Museum Wales.

    Questions 1-13 · 13 marks · 2 question blocks

    Answer key and self-check

    Type what you wrote and hit mark. Hide the key first if you haven't done the passage yet. Every question number jumps to its explanation.

    QYour answerAnswer
    Questions 1-7 · Note completion (ONE WORD ONLY)
    1
    mining
    2
    education
    3
    notes
    4
    journals
    5
    Venice
    6
    canteen
    7
    friends
    Questions 8-13 · TRUE / FALSE / NOT GIVEN
    8
    TRUE
    9
    NOT GIVEN
    10
    FALSE
    11
    NOT GIVEN
    12
    TRUE
    13
    TRUE

    Where the answers sit

    Both blocks run in passage order, which makes this a friendly opener. The notes (1-7) walk through paragraphs A to H. The TRUE / FALSE / NOT GIVEN statements (8-13) start again at A and finish in the last paragraph, J.

    Note completion (ONE WORD ONLY)

    Questions 1-7

    How to attack this block: The note headings copy the passage's own structure: family, collecting, the war, reputation. Use them as a map. The notes paraphrase, so hunt for the idea, not the word. Question 1 names one of the grandfather's industries and asks for the other one. Questions 3 and 4 look alike, but they want two different records the sisters kept.

    Question 1

    Answer: miningParagraph A, first sentence

    Apart from transport, which industry made the grandfather rich?

    a Welshman who amassed a fortune in the shipping and mining industries

    Question says → Passage says

    • grandfather's wealth came fromamassed a fortune in
    • transportationshipping

    Why: The note already gives you one of the two industries in disguise: 'transportation' is the shipping business. The gap wants the other one, and the passage pairs shipping with mining. One word, so just 'mining'.

    The trap: 'Shipping' is the word you see first, but the note has already covered it as 'transportation'. Writing it again would leave the note saying the same thing twice.

    Question 2

    Answer: educationParagraph B, first sentence

    What part of their early life was set up to steer them towards art collecting?

    the sisters' education was rigorously geared toward such pursuits

    Question says → Passage says

    • designed to give them an interest inrigorously geared toward
    • activities such as collecting artsuch pursuits / art collecting

    Why: 'Geared toward' means planned or designed for a purpose, and 'such pursuits' points back to art collecting. The gap follows 'their', so it needs a noun, and the noun the passage gives is 'education'.

    The trap: 'School' is tempting because the next sentence mentions their London school, but the passage says the school 'focused on cultural rather than academic study'. The thing that was 'geared toward' art collecting is their education.

    Question 3

    Answer: notesParagraph B, last sentence

    What did the sisters write down at the galleries they visited?

    visiting art galleries and making extensive notes on the collections there

    Question says → Passage says

    • took lengthymaking extensive
    • the things they saw in art galleriesthe collections there

    Why: 'Lengthy' is a paraphrase of 'extensive', and 'took' notes is the same as 'making' notes. The gap comes after an adjective and before 'about', so it needs a plural noun: 'notes'.

    The trap: 'Collections' is right next to it, but you don't 'take collections' about anything. The gap is what they produced, not what they looked at.

    Question 4

    Answer: journalsParagraph D, first sentence

    Which written record shows the sisters' taste for Old Master paintings?

    The sisters' journals reveal their preference for Old Master paintings.

    Question says → Passage says

    • showedreveal
    • they likedtheir preference for
    • expensive to buybeyond what they were willing to pay

    Why: 'Showed they liked' is a direct paraphrase of 'reveal their preference for', and the subject of that verb is 'journals'. The rest of the note ('expensive to buy') matches the later sentences about price in the same paragraph.

    The trap: Many people write 'notes' again because it worked for question 3. The gallery notes are in paragraph B. The source for their taste in Old Masters is a different record: their journals.

    Question 5

    Answer: VeniceParagraph E, third sentence

    Where were the scenes in the first Impressionist paintings they bought?

    their first purchases of Impressionist art, made in October 1912, were scenes of Venice by the French artist Claude Monet

    Question says → Passage says

    • the first Impressionist paintings they boughttheir first purchases of Impressionist art
    • showed places inwere scenes of

    Why: The note asks for a place, and the paintings are 'scenes of Venice'. Capital letter, one word, done.

    The trap: 'Paris' is all over this paragraph because the sisters visited it, and Monet is French. But the Monet paintings showed Venice, not Paris.

    Question 6

    Answer: canteenParagraph F, last sentence

    Where did the sisters work for soldiers in France?

    both sisters decided to volunteer at a canteen for troops at Troyes, in northern France

    Question says → Passage says

    • worked involunteer at
    • for soldiersfor troops

    Why: 'Troops' is 'soldiers' and 'volunteer at' is 'worked in'. The gap follows 'a', so it needs a singular noun, and the place they worked is a canteen.

    The trap: 'Troyes' is the name of the town, not the kind of place they worked in. The note already says 'in France', so it wants the type of building.

    Question 7

    Answer: friendsParagraph H, second sentence

    Who didn't the sisters have among artists, according to commentators?

    Much is made of their isolation in rural Wales and the fact that they didn't make friends with artists or gallery owners.

    Question says → Passage says

    • not considered typical collectorsunlikely pioneer collectors
    • lived in isolation in the countrysidetheir isolation in rural Wales
    • did not have any ___ who were artistsdidn't make friends with artists

    Why: The note turns the verb phrase 'make friends with' into a noun: they didn't have any friends who were artists. The gap needs a plural noun after 'any', so 'friends'.

    The trap: 'Advisers' looks possible, because the same paragraph says they relied on 'a trusted circle of advisers'. But they did have advisers, so it can't fill a 'did not have any' gap.

    TRUE / FALSE / NOT GIVEN

    Questions 8-13

    How to attack this block: Three are TRUE, which is more than this question type usually gives you, so don't panic when TRUE keeps coming up. The NOT GIVEN pair are both 'extra detail' traps. The passage talks about the right paintings but never says where they were bought or how the public reacted.

    Question 8

    Answer: TRUEParagraph A, last sentence

    Did the way they were brought up affect how they chose to spend their money?

    Their religious upbringing in rural Wales gave them a deep sense of social responsibility and they chose to use their inheritance for cultural and philanthropic purposes.

    Question says → Passage says

    • childhoodreligious upbringing
    • the way they decided to use their wealthchose to use their inheritance for cultural and philanthropic purposes

    Why: Upbringing is what happens in your childhood. The sentence links it directly to their sense of responsibility and their decision to spend the inheritance on culture and charity, so TRUE.

    The trap: Some people pick NOT GIVEN because the passage doesn't say 'influenced'. It doesn't need to: the upbringing 'gave them' the sense of responsibility that shaped the decision.

    Question 9

    Answer: NOT GIVENParagraph D, last sentence

    Did they buy their Corot paintings from a gallery in France?

    their early purchases were of the fashionable, safe variety, and included, for example, paintings by the French artist Jean-Baptiste-Camille Corot

    Question says → Passage says

    • Corot paintings in the collectionincluded… paintings by the French artist Jean-Baptiste-Camille Corot

    Why: The passage tells you they bought Corot paintings and that Corot was French. It never says where the paintings were bought. No seller, no gallery, no country, so NOT GIVEN.

    The trap: 'French artist' and the trips to Paris in paragraph E make France feel like the obvious place. A French painter's work can be sold anywhere, and the passage is silent on it.

    Question 10

    Answer: FALSEParagraph E, second sentence

    Was Hugh Blaker against them buying French Impressionists?

    We know that Hugh Blaker, as a champion of contemporary French art, had a hand in the decision

    Question says → Passage says

    • opposeda champion of
    • the decision to buy art by French Impressionistshad a hand in the decision

    Why: A 'champion' of something supports and promotes it, and 'had a hand in' means he helped bring the decision about. Someone who helped make a decision did not oppose it, so FALSE.

    The trap: NOT GIVEN is tempting because the passage never uses the word 'oppose'. But it does tell you his position, and that position is the opposite of the statement.

    Question 11

    Answer: NOT GIVENParagraph G, last sentence

    Was the Cezanne display in Bath a hit with visitors?

    they became the first works by Cezanne to go on display in a public gallery in Britain

    Question says → Passage says

    • the exhibition at the Bath galleryshipped directly to Bath… on display in a public gallery

    Why: The passage says the paintings went on display in Bath and that this was a first for Britain. It says nothing about how many people came or what they thought, so NOT GIVEN.

    The trap: 'First' and 'public gallery' make it sound like a big event. Being the first is not the same as being popular.

    Question 12

    Answer: TRUEParagraph I, first sentence

    Did the war make Gwendoline rethink collecting art?

    Gwendoline felt increasingly uncomfortable buying art works when faced with the poverty and social upheaval created by the First World War

    Question says → Passage says

    • the impact of the First World Warthe poverty and social upheaval created by the First World War
    • reconsider her interest in collecting artfelt increasingly uncomfortable buying art works / made her final art purchase

    Why: The war's effects made her uneasy about buying art, she switched to social causes, and she made her last purchase in 1926. That is a reconsideration caused by the war, so TRUE.

    The trap: Paragraph G says the canteen work damaged her health, which is also a war effect. It's a distraction: the reason she stopped buying is the poverty and upheaval in paragraph I, and that still makes the answer TRUE.

    Question 13

    Answer: TRUEParagraph J, first sentence

    Were they buying Impressionists at a time when hardly anyone else was?

    The sisters collected French Impressionist paintings at a time when such art was routinely ignored by individuals and institutions alike.

    Question says → Passage says

    • during a period whenat a time when
    • very few people were doing soroutinely ignored by individuals and institutions alike

    Why: If both private collectors and institutions routinely ignored this art, very few people were buying it. The statement is a softer version of the same sentence, so TRUE.

    Questions worth a second look

    Question 4

    Most people write 'notes' again because it answered question 3. The evidence for their taste in Old Masters comes from their journals (paragraph D), a different source from the gallery notes in B.

    Question 10

    FALSE, not NOT GIVEN. Paragraph E says Blaker championed contemporary French art and had a hand in the decision. That is the opposite of opposing it.

    Question 11

    The Cézanne paintings were the first of his shown in a British public gallery. 'First' is not 'popular'. Nothing is said about visitors, so NOT GIVEN.

    Words from this passage worth keeping

    amass(A)
    gradually collect a large amount of something, such as money or objects
    philanthropic(A)
    giving money to help other people or good causes
    geared toward(B)
    designed or organised for a particular purpose
    beyond their means(D)
    too expensive for the money they had
    have a hand in(E)
    help to cause or make something happen
    champion(E)
    a person who strongly supports and promotes something
    social upheaval(I)
    a sudden, disruptive change in how society works
    legacy(J)
    something valuable left behind for future generations

    Sit this test on Langujet, then come back

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    FAQ

    The Davies Sisters: quick answers

    "The Davies Sisters" is Reading Passage 1 of Cambridge IELTS 21, Test 1. It covers questions 1-13 (13 marks).

    Questions 1-7: Note completion and questions 8-13: TRUE / FALSE / NOT GIVEN.

    3 TRUE, 1 FALSE and 2 NOT GIVEN.

    Our review highlights questions 4, 10 and 11. Each one is explained in "Questions worth a second look" above.